Dragonfly vertical farm is a concept urban farm specially designed for the Roosevelt Island of New York City which will reduce the problems associated with food shortage, mileage and connection between the producers and consumers. Because of the densely packed city civilization, this farm has been designed vertically, spanning 132 floors and 28 different agricultural fields for accommodating dragonflies aiming to produce fruit, grains, vegetables, meat and dairy. This Dragonfly wing shaped superstructure features wind and solar power producing capability and includes housing, offices, research labs and communal areas separated from farms, orchards and production rooms. Throughout the glass and steel set of wings, animal and plant farming is arranged as well as soil nutrient levels are maintained properly.
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Today with lot of environmental developments happening world over like global warming, energy crisis, lifestyle changes, it’s become even more difficult to design houses meeting all these requirements. More and more architectural designs are using digital technologies with respect to modeling, simulation, evaluation and fabrication resulting in complex shaped buildings which incorporates the above challenges. One such project is coming up in Tel Aviv whose primary resources are sun, wind, and land and these are fairly distributed amongst these complex structures thus making an optimum utilization of all. It’s of course high quality housing complete with latest gadgets but run on the natural resources. Architect Yiftach Ben Meir, the designer, is a recent graduate from The Faculty Of Architecture and Town Planning at Technion, Israel Institute of Technology (IIT). His final project SeaO2 was conceived under the framework of Tecnion Computer Oriented Design Studio, T_Code with the instruction of dr. Yasha j. Grobman.
Text from Yiftach :
SeaO2 is an experimental ecological housing project. The project poses an alternative to current plans for Tel Aviv North West coastal district. SeaO2 demonstrates vast use of cutting edge computer software, some being used in the aerospace industry, in order to improve building performance and to ensure the existence of a sustainable urban environment with a minimal ecological footprint. The project final form is a consequence of a scientific approach that calculates numerous of elements: the sun orbit, wind conditions, maximum open scenic views, very high density and more, all in a free-form organic manner.
Advanced Computer Simulations ensure the project’s credibility. The project’s unique morphology enables: optimized solar reception for heating at winter time, self-shadowing and solar reception for electricity generation at summer time, natural lighting, optimized natural ventilation, open looks to the natural coastal environment, public green spaces, rain collection and more. Various passive mechanical systems complement the basic morphology, enable better performance and create an energy efficient, environmentally friendly housing project
Designer : Yiftach Ben Meir
Competing against Daniel Libeskind and Massimiliano Fuksas, Zaha Hadid Architects have won the competition held by Guggenheim Hermitage Museum in Vilnius, Lithuania. Zaha Hadid’s futuristic designs match the cultural aims of the new Hermitage Guggenheim Vilnius Project. As always, the characteristic of Zaha Hadid architectural design always takes the conceptual terms of fluidity, velocity and lightness. The building appears like a mystical object floating above the extensive artificial landscape strip, seemingly defying gravity by exposing dramatic undercuts towards the surrounding entrance plazas. Large activated green fields flow around the museums sculptural mass, underlining its enigmatic presence with curvilinear lines echoing the elongated contours of the building. Contrasting with the vertical business district skyline it is a manifestation of Vilnius’ new cultural significance.
“I am delighted to be working in Vilnius on the Guggenheim Hermitage Museum” states Hadid. “The city will be the European Capital of Culture in 2009 and has a long history of art patronage. With such an interest in the arts, Vilnius will continue to develop as a cultural center where the connection between culture and public life is critical. This museum will be a place where you can experiment with the idea of galleries, spatial complexity and movement.”
This is exactly what we mean by saying “when architecture meets new technologies”.
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