Text from website:
Oculus is the first “design launch” of Schöpfer Yachts LLC. This 250-foot vessel was designed by E. Kevin Schöpfer, founder and owner of his namesake company.

Designed to accommodate 12 guests in extraordinary comfort and style, Oculus is a long distance cruising yacht capable of speeds upwards of 25 knots.

The exterior styling is representative of the jaw and eye socket bone structure of large oceanic fish and mammals. Featuring a dramatic reverse bow configuration, the yacht’s armature balances an elegant expression of symmetry and structure.

In addition to the bow, Oculus also features a “low rider profile”. This slightly lowered surface allows for new side recreational areas, alternate dockage access and light cruising openness. Lateral retractable side panels close this area when heavier wave action is indicated.

The interior features of Oculus focus on a 12 foot high ceiling in the main salon, a cylindrical double height dining room, central stair and elevator tube, and seemingly anatomical ceiling and floor lighting extensions giving definition to the seating areas.

The second level is the dedicated Owner’s suite. Living areas and bedchambers are divided by a series of four freestanding tubes, which house bath and storage necessities.

In addition to the main common stair, the second Owner’s stair connects to the third level aft private salon and deck / water feature.

The third level also contains the forward pilothouse and separate captain’s quarters. The generous open decks with separate water features are located forward and aft for convenient guest use. Specifications and plans are in the final stages of completion and will be posted at a later time.

Designer : Schopfer Yachts

Christian says :

“SENTORI 58R is a flybridge motor yacht, with three decks, a length of about 18m and a displacement of 28to.

The general exterior- design language of the vessel is mainly inspired by automotive design, using surface tensions and automotive, coupe- type key elements.

Exterior features: on SENTORI 58R a part of the windshield is acting as a door and guarantees direct access to the sunbathing area at the bow. directly below the sunbathing area the fender compartment is located which is accessible by opening the whole cover. Further more there are features such as a splitable, loweralbe bathing platform, a very low equipment carrier and a skylight-wetbar element on the flybridge deck.

Interior design and main features: the design language of SENTORI’s interior mainly uses floating elements which deal with the different levels and stairs harmonically. in general, the idea of modern and loft-like living on the sea was the foundation of SENTORI’s interior concept. Besides, the purpose was to gain a maximum of variability. SENTORI is able to serve rooms on demand: the guest cabin is not only a bedroom but can also be connected to the owner’s state room to extend the living area if wanted. therefore it can as well be used as an office, providing a desk and lounge.”

Designer : Christian Gumpold and Christopher Gloning

The Blue Planet building site is in Copenhagen, at the island of Amager, right at the coast of Øresund, north of Kastrup Havn, close to the Copenhagen Airport, and viewed from a plane the whirlpool shape will show in its full. Approaching on the ground, one will experience the building as floating in a circular reflection pool, and a walk through its interior is a travel through several organic worlds.

Designing The Blue Planet, the architects team was indeed inspired by nature, says principal of 3XN, Kim Herforth Nielsen. “We wanted to stage a totality of the experience one has visiting an aquarium. The starting point was this magnificent experience of actually watching fish in their element. We wanted to create that adventurous feeling, and we took inspiration in the natural phenomenon of the whirlpool or maelstrom drawing you into the deep. A sculpture at the coast it unites the natural elements of water, air and earth.”

Thus situated in the borderland between the worlds of Poseidon and Zeus, the walls and roofs form a single, continuous flow and are clad in a way which emphasizes the wavy outline of the building, thereby telling a story of this union. The first and longest of the whirlpool’s arms follows the shape of the landscape and the building, moving into the land.

Entering The Blue Planet, the building will convey a sense of the special experience that awaits them inside. Here, the whirlpool has pulled you into another world – a world beneath the surface of the sea. If you tilt your head backwards, you understand that you are really a part of this aquarium because the roof above the foyer is made of glass, and at the same time it is the bottom of a pool. High above, through the pool water, you can see the sky with sunlight being reflected in the water and forming flickering, shimmering sunspots on the floor and walls of this light, welcoming and at the same time mysterious entrance area.

The Round Room is a center of navigation in the aquarium, and this is where visitors choose which river, lake or ocean to explore. Each exhibition has its own face towards the Round Room, each with its own entrance, starting with a buffer zone – a platform where sound and images are used to introduce the atmosphere communicated in the ensuing exhibition room.

Raised a few meters above the terrain, The Blue Planet is a reflection of strong coherence; greatness in the smallest of things, all water in the world being inextricably linked, from the enormous forces of tsunamis to the infinitely tiny, spinning molecules. Overlooking the Øresund, the building connects land and sea, drawing both the great outdoors and visitors inside.

In the landscape, the great whirlpool continues through the terrain, the pools and the sea surrounding the building. Like watery currents, the building is not static – the movement continues into the future by virtue of always allowing possible extensions to add more, simply by letting the lines of the whirlpool grow further out.

Designer : 3XN via Bustler