Designer : Hoyoung Jo, Jinseok Song, and Kyuwon Kim

Skeleton
Spyder is built around a Surrounding Spar Technology (SST™) frame, featuring a minimalist steel center beam, surrounding the engine. It minimizes weld points for greater structural integrity. This light and slim frame provides a low center of gravity to enhance stability and handling.

Muscle
Fluid motion stems from the smooth 5-speed gearbox created specifically for the Spyder. It features a true mechanical reverse. An optional thumb-shift sequential electronic transmission offers even greater ease of use. The final beltdrive provides ultra-smooth gearing and easy maintenance.

Heart
Providing life under the hood is a Rotax® 990cc, V-twin liquid cooled engine. It delivers a strong push and responsive acceleration throughout the power band. Advanced features include double overhead cams and a state-of-the-art electronic fuel management system.

Nervous System
Spyder senses its surroundings utilizing multiple on-board Electronic Control Units (ECUs). These sophisticated systems monitor a broad range of functions, from wheel slippage to digitally encoded security information.

Designer : BRP

The Zaragoza Bridge Pavilion is organized around 4 main objects, or “pods” that perform both as structural elements and as spatial enclosures. The Bridge Pavilion design stems from the detailed examination and research into the potential of a diamond shaped section – which offers both structural and programming properties. As in the case of space-frame structures, a diamond section represents a rational way if distributing forces along a surface.

Underneath the floor plate, a resulting triangular pocket space can be used to run utilities. Floors inside each pod are located at the Expo principal levels: +201.5m (the soffit of the bridge is at +200m, flood protection minimum level of the Ebro River at the location of the Bridge Pavilion) +203m, +206m and +207.5m for the upper level.

The diamond section has also been extruded along a slightly curved path. The extrusion of this rhombus section along different paths has generated the four separate ‘pods’ of the Bridge Pavilion. The stacking and interlocking of these truss elements (the ‘pods’), satisfies two specific criteria: optimizing the structural system, and allowing for a natural differentiation of the interiors, where each pod corresponds to a specific exhibition space.

The pods are stacked according to precise criteria – aimed at reducing the section of the bridge as much as possible where the span is longer (approximately 185m from the island in the middle of the river to the right bank), and enlarging it where the span is shorter (85m from the island to the Expo riverbank). One long pod spans from the right riverbank to the island, where the other three are grafted into it, spanning from island to left bank.

This interlocking of the pods has given the design many exciting possibilities. Interiors become complex spaces, where visitors move from pod to pod though small in-between spaces that act as filters – or buffer zones. These zones diffuse the sound and visual experience from one exhibition space to the next, allowing for a clearer understanding of the installation content within each pod. The identity of each pod remains thoroughly readable inside the pavilion, almost performing as a three-dimensional orientation device.

Spatial concern is one of the main drivers of this project. Each zone within the building has its own spatial identity; their nature varies from complete interior spaces focused on the exhibition, to open spaces with strong visual connections to the Ebro river and the Expo.

Natural surfaces have been investigated when designing the Pavilion’s exterior surfaces. Shark scales are fascinating paradigms both for their visual appearance and for their performance. Their pattern can easily wrap around complex curvatures with a simple system of rectilinear ridges. For the Bridge Pavilion, this proves to be functional, visually appealing and economically convenient.

The building’s envelope plays an essential role in defining its relation to the surrounding environment and atmospheric variations. The project has been designed to allow its interior to be thoroughly enlivened by the effect of atmospheric agents, such as the Tramontana wind blowing along the Ebro and, the strength of Zaragoza’s sunshine.

During the Expo, a single weathering layer will enclose the building to protect it from rain. This Shark scale skin will be generated by a complex pattern of simple overlapping
shingles. Some shingles can rotate around a pivot, allowing for temporary opening or closing of part of the façade. The pattern of shingles overlapping each other gives the Bridge Pavilion the widest variety of natural light via several degrees of aperture sizes: from rays piercing through tiny apertures – to wide, full size openings. Large apertures are located on the lower level, in correspondence with either end of the bridge, allowing for the greatest degree of visual contact with the river and the Expo.

Designer : Zaha Hadid Architects via Dezeen

It is a new design with the idea that a sink does not always have to be rectangular. Coming from the beautiful curve of a seated woman, it minimizes the bottom cabinet to design a countertop that seems to float in the air. Built-in entertainment equipment, including TV and audio, create a future-oriented multi-functional kitchen which you might have seen on a Sci-Fi movie.

This curvilinear design breaks away from the conventional concept of design and creates a liberal island kitchen that has no restrictions in space and moving. It creates a fun entertainment space for the whole family. It does not distinguish front from rear and allows use of countertop and cabinetry from both directions. The top cabinetry rotates 360°. You may even customize the island to eliminate the top cabinetry to fit your needs.

Designer : Enex

Omer Sagiv, the designer (currently work for Ron Arad in London), explained that this bike has 2 unique free standing locking systems, 3 dimensional illumination and integrated rear suspension are all inbuilt, providing cheap and simple solutions to problems that every urban bike rider experiences and have been designed with the urban rider in mind. The unique design and development of a molded plastic frame allows the bicycle to incorporate all of the innovative features within its fluid and fluent shape. Furthermore, the IZZY bike owner will be able to recycle the main frame, thus revamping the color of the bicycle – simply, cheap, and with regard to the environment.

Designer : Omer Sagiv and Uri Sadeh

Some Text from Teuco :

Designer, artist and renowned architect, Ron Arad uses the malleability of duralight and Teuco know-how to present “Rotator”, an original space and a new enjoyable experience in which a continuous and unexpected flow of water becomes the protagonist. The slowly rotating basin transforms into a shower and the continuously flowing water becomes an essential component of the product’s beauty. The background for this creation is a floor with mirrored light and glossy white walls with small red shelves that exalt the materiality and the multi-functionality that are characteristic of duralight.

Designer : Ron Arad for Teuco via HomeDosh