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Designer : Miljan Jevremovic

From : Honda

Designer : Dolce and Gabbana

Designer : Xuacu Pérez Quesada

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Designer : Elvis Tomljenovic via DesignEast

Designer : Fuego via [HomeDosh]

[Press Release]
Thousand Oaks, California, April 7, 2009 – World-recognized strategy, innovation, and design consultancy RKS is proud to announce the introduction of the Neuma Hybrid Tattoo Machine, as RKS helps Neuma revolutionize the tattoo industry and usher in a new age of artistry, comfort, and safety. The superior technology of Neuma tattoo machines benefits tattoo collectors and artists alike – with the lighter-weight, fully-autoclavable tattoo machine delivering a less painful tattoo experience and drastically reduced healing times.

Dissatisfied with traditional coil machines, award-winning tattoo artist and inventor Carson Hill set out to create a completely new kind of tattoo technology – the first air-powered tattoo machine. Carved out of solid aluminum years before the MacBook made it cool, the original pneumatic tattoo machine, known as the Neuma2, was light-weight and fully-autoclavable.

The latest evolution of the Neuma, the Neuma Hybrid, is the result of Hill’s desire to constantly push for improvements. Hill listened carefully to suggestions from artists and engaged RKS to re-engineer and re-design the Neuma2. The result is the Neuma Hybrid. At only 3.7 ounces in its pneumatic configuration, the Hybrid still weights less than half as much as traditional coil machines. Packed inside this small but powerful package is an improved pneumatic design for greater efficiency and less air consumption, a larger impeller for more torque, a cushioned armature for compliance, a variable stroke-length, an improved collet, and optimized cycle timing for less drag on the skin when lining.

The “hybrid” part comes in when Neuma tattoo artists want to take the show on the road. Year-round and world-wide, tattoo artists travel to expos to create their art right before their fans’ eyes. With the baggage restrictions now in force by airlines, it’s becoming more of a challenge to travel with an air compressor. The Neuma and RKS teams brainstormed an ideal solution… a motorized module that magnetically-couples with the Neuma to transform it into an electric-powered tattoo machine. This means that Neuma artists can have the Neuma performance they love in an electric configuration that still weighs a full third less than traditional coil machines. And, most importantly, the pneumatic machine is still fully-autoclavable.

Whether you’re an artist, a long-time collector, or someone who’s been tempted but afraid to get a tattoo, the Neuma Hybrid represents a breakthrough in delivering a safer, less-painful, tattoo experience. And as for Carson Hill, perhaps Rosenau said it best, “He’s developed something that’s changing the way tattoos are done and the look of tattoos. He has his own little place in tattoo history.” Hearing that makes Hill squirm a little.

Designer : RKS Design for Neuma

Designer : William Woods

Nicolas explanations:
Utilizing a new energy model, the vehicle uses the electricity to stimulate a central water tank, splitting the water into hydrogen and oxygen. The hydrogen gets stored in special reserve tanks, while the oxygen gets expelled into the air as exhaust. With this model, the vehicle functions like a plant, only needing the sun and water to create its own fuel. The sleek, mono-volume design allows for optimal interior space and utility. Special design features also include layered body panels, unique headlight/side mirror units, and offset seating to allow elbow room for all occupants.

Since the principle material used to construct the exterior functions by re-directing light to the edges, I wanted to accentuate this feature in the design. To do so, I designed the roof panel to act like a canopy, suspended over the roof pillars mimicking a shade or visor. The rear lights themselves are packed into the edge of the “glass sleeve” composing the exterior, to seem as if the brake lights are being emitted from the glass edges.

Using this technology, there were key issues that had to be solved in the revision stage. While the solar panels use highly saturated dyes, this color cannot be used on the entire exterior because it would disorient the driver. To solve this, I broke up the material into three different shades (clear/smoked/colored) and strategically placed them around the vehicle in order to maximize driver visibility

Technology aside, it was important that I attempt to break the stigma against small cars in North America. To do this, I used long lines that stretch across the form, visually elongating the vehicle and providing an athletic stance. In order to maximize the use of such a small package, I used a mono-volume approach to open-up the interior space as much as possible. Another important feature to small vehicles is character… so besides a traditional “happy face”, I designed the headlights and side mirrors to be integrated into one unit that extends out from the body like eyes.

Designer : Nicolas Stone