Designer : FrogDesign

Text from Continuum :

Snowboard graphics powered by Piezo generator

The top surface of a snowboard is a perfect place for a changing graphic display. This concept suggests several graphic functions for a snowboard, including a compass, a reminder, directions display, altimeter, and a graphic proximity alarm that can be set by the owner of the board that activates a large “STOLEN” sign that flashes when the board is too far from its owner. The graphics are powered by a Piezo generator embedded inside the board that is activated when the board is flexed.

Pill bottle labels that can display changing information about contents

The Pill Bottle concept seamlessly integrates E-Ink display technology into a common package design. Using E-Ink technology in a prescription bottle label allows the bottle to be reused by recoding the label, thus reducing waste. The clear text also improves prescription legibility and is therefore safer.

The bottle cap serves as the “brains” of the bottle. It contains a tiny battery as well as the microchip where the label information is stored The label in the bottle contains a contact that engages with the bottle cap to activate the graphic. A smaller E-Ink display on the top of the cap is magnified by a clear lens, and helps to quickly identify the contents from above.

Flipping the bottle upside down activates the scale function of the bottle and tells the user how many pills are inside. The ability to weigh the contents helps eliminate mistakes (or theft) by pharmacists. When flipped around the display can also inform the user when they took their last dose as well as how far they are from needing another refill.

Designer : Continuum

Designer : Paula Adina Sumalan via Core77

The Kyocera EOS can be used in its folded-up shape for simple phone calls, unfolds to reveal a wide screen, and we were excited to hear that the it derives its energy from human interaction. The more you use the phone, the more kinetic energy is turned into an electric charge through an array of tiny piezoelectric generators. In other words, you’ll never have to worry about leaving the house with a semi-charged cell phone again.

Designer : Susan McKinney via inhabitat

Photo by : Jeffrey Sass

Elliot says :
This project was completed in the fall of 2008 under the direction of David Ruy and Karel Klein of RuyKlein. The intention was to develop sensitivities to surface conditions. The work included physical and digital modeling experiments in cloth. The site is a redevelopment of the Queens Museum at the World’s Fair site in Queens, New York. The museum contains a permanent display of a very large-scale model of New York City’s five boroughs.

Unexpectedly the physical modeling of the cloth produced a most interesting and unintended result. This unexpected result however, provided a fantastic jumping off point for digital exploration. By raising the program off the ground level a public space is created under the building that offers access round the clock, offering space for events even when the museum is closed.

A structural lattice provides ample interior spaces while creating a process that significantly simplifies construction. A plastic ‘bladder’ is inflated inside the structural lattice, then a layer of Concrete Canvass is laid on top, sprayed with water, and sets on the outside of the lattice.

As for the interior, I wanted to create a sense of corporeality. To accomplish this I have taken the top lines of the interior of the shell and pulled them out in a manner that creates a landscape that must be negotiated in three dimensions. The interior walls would be constructed out of stacked glass, creating translucent divisions of the rooms.

Designer : Elliot White via Dezeen

Text from designer :
My goal is to create more than an emergency shelter. This project is a shelter solution that meets the needs of emergency response but also provides victims with a more personal place to live; a base unit that can serve as a very basic shelter but also have the capabilities to upgrade and implement modern infrastructure. This shelter is also stackable. Many alternative housing solutions deal with small scale but can’t cope with large scale displaced populations. There are 5 points that have been the focus during the design of this shelter. The shelter must be:
1) Easily transportable, collapsible and able to be shipped flat.
2) Built of recyclable materials and have the ability to be reused.
3) Easy to erect and assembled with few or no tools.
4) Amenable to infrastructure?can be used as a basic structure, but have the capabilities to upgrade and implement modern conveniences.
5) Stackable

Über is shipped flat to allow for transport via air sea and land. All components that create the modular living unit are stored inside the shelter in its collapsed position during transport. It is then taken apart and assembled on location. When it is no longer needed, it can be dismantled, packed flat again, and moved to the next disaster area. The aim has been to design a shelter that is compatible with the current system used in refugee camps and emergencies by organizations such as the UNHCR (United Nations High Commissioner for Refugees).

Every camp is different since every situation is different. In some cases proper design of a camp is not possible because refugees have already settled on a site. Uber has been designed to adapt to different situations, terrains, and climates. Camp needs are addressed in phases. Phase one is to meet the basic needs of the people, providing them with the bare essentials.

When there is more time, funding, and personnel, phase two provides camp residents with more pleasant solutions and conveniences. For example, phase two would include building an outhouse, rather than having a defecation field or trench. This shelter is delivered in the same fashion. When the initial crisis occurs, Über is shipped as a base unit to meet the initial need for shelter. When the camp is ready for phase two, a separate upgrade package is shipped and added into the shelters units to provide conveniences (electricity for light, compact stove and refrigerator).

Designer : Rafael Smith

Designer : Alistair Bramley

Official words from UNStudio :

The design for the redevelopment of Post Rotterdam incorporates an ambitious mixed-use concept devised to respond to and enhance the original qualities of the existing building. Upscale retail facilities, restaurants, cafés and bars are combined with a luxury hotel, which in addition houses conference facilities and offices.

The design for Post Rotterdam incorporates an urban landscape, a vertical foyer, the redesign of the large central hall and the new hotel. These combined elements form a design approach which is sensitive to the existing monument’s qualities, while generating a synergetic architectural effect.

The mix of architectural presence and transparency is designed to emphasize and frame the entrance to the building. The post-war roof is replaced with a new glass construction, allowing daylight to penetrate the building and forming a connection between the new hotel and the existing monument.

The extension to the shopping street functions as a public platform, offering open spaces with flexible layouts, capable of housing a variety of functions; from exhibitions to performances, concerts and fashion shows.

The programmatic and infrastructural elements create a sustainable development which incorporates a ‘green shopping’ experience and aims to provide a new urban destination for the city center of Rotterdam.

Designer : UNStudio via Dezeen

From the website:
Introducing a new dimension to sport flying.

A new, light sport aircraft manufacturer, ICON Aircraft, started with the vision that planes should be designed with the consumer in mind first. Founded out of Stanford Graduate School of Business by Kirk Hawkins, an accomplished engineer and former U.S. Air Force F-16 pilot, ICON Aircraft conducted years of thorough research to develop an industrial design that has evolved to become ICON’s first model, the ICON A5.

A long-time powersports enthusiast, Hawkins’ dream for the potential of sport flying became possible when he first heard of the FAA’s rule changes for light sport aircraft in 2004. As he witnessed what the Yamaha Waverunner did for personal watercraft in 1980’s, Hawkins believed a consumer-oriented sport plane could do the same for recreational flying.

Early on, Hawkins began assembling investors and world-class design and engineering talent to bring the vision to reality. ICON Aircraft eventually set up its headquarters and development facility in Southern California, a region known for having the world’s largest concentration of aerospace resources as well as the world’s leading automobile design and development resources.

Advising along the way have been top academic professionals, business leaders in aviation and powersports, and directors of award-winning product design firms like IDEO and BMW DesignWorks USA.

Leading the charge to bring the design into production is an engineering and fabrication team that previously worked on such notable projects as the Virgin Global Flyer and X-Prize winning SpaceShipOne, among many other significant aircraft and aerospace projects at Burt Rutan’s Scaled Composites in nearby Mojave, Calif.

Specs and features:
ICON A5 — Amphibian Special-Light Sport Aircraft (S-LSA)
*BASE PRICE (A5 Amphibian): $139,000 USD

SPECIFICATIONS

- Seats: 2
- Maximum Weight: 1430 lbs
- Useful Load: 430 lbs (minimum)
- Baggage: 60 lbs (maximum)
- Fuel (Auto Gas or Av Gas): 20 gal
- Maximum Speed (Vh): 105 kts (120 mph)
- Range: 300 nm
- Takeoff & Landing Distance: 750 ft
- Engine (Rotax 912 ULS): 100 hp

Performance specifications are estimates only.
Final performance specifications will be verified during flight-testing.

DIMENSIONS

- Interior Cockpit Width: 46 in
- Wing Span: 34 ft
- Aircraft Length: 22 ft
- Trailered Width: 8.5 ft
- Trailered Length: 28 ft

DESIGN FEATURES

- Folding wings (manual or automatic)
- Retractable Landing Gear (on ICON A5 Amphibian)
- Seawings, platforms for easy access and docking
- Custom aircraft towing trailer (optional)
- Headlights and flood lights

PERFORMANCE FEATURES

- High-performance composite airframe
- Amphibious design (flies off land or water)
- Custom, patent-pending, high-performance airfoil
- Rear mounted, 100-hp Rotax 912 ULS Engine
- Runs on auto gasoline or aviation gasoline

COCKPIT FEATURES

- Intuitive, sportscar-like cockpit
- Comfortable, side-by-side seating
- GPS moving map
- iPod in-flight music port
- High-visibility canopy
- Flight with removable side windows
- Multiple storage compartments
- Glass cockpit for night VFR (optional)

SAFETY FEATURES

- Predictable, docile flying characteristics
- Complete Airplane Parachute, CAP (optional)
- Patent-pending PropellerGuardâ„¢
- Wing Angle of Attack Indicator (AoA)
Seaplane only version, the ICON S5, is an available model, and will not include the Retractable Landing Gear. Options and price will vary on the ICON S5.

Designer : ICON

The Public represents a radical gesture for community architecture, born from the conviction that art and architecture can be catalysts for regeneration and renewal. On five principal levels, the building is intended to give great scope to exhibition designers, artists, educators and users of all kinds, while encouraging and challenging all users to work in innovative ways. The Public is intended to inspire new ideas from its creative users rather than simply make way for them. The building itself is a statement of its creators’ belief in art, in the broadest sense, as a means to empower communities and individuals, and to permeate lives in surprising and beneficial ways.

Among its many functions, The Public will host exhibitions of local and international interest, exploring new kinds of visual art, by new kinds of artists, for diverse audiences. It will be a centre for people in the community to take part in art projects, and to engage in lifelong learning in a wide range of skills and subjects, with IT and digital arts given special prominence. There will be events, performances, art, dance and drama workshops, conferences, seminars and meetings, with spaces specially designed to accommodate them.

Contained within a simple rectilinear form, The Public was conceived as a ‘Box of Delights’ offering a wide variety of spaces, forms, angles, curves, surfaces, vistas and atmospheres.

The 113m x 21m x 22m box envelope of the building is punctured by a scattering of ‘jelly-bean’ shaped windows that pierce the sides of the aluminium cladding. Those approaching the building are able to glimpse its interior through these openings and through a glazed ’skirt’ at ground level on which the rectangular form sits.

Inside, simplicity of form gives way to complexity: rugged, multi-faceted or curved forms appear to balloon into the space at random, sitting on, or suspended from a table structure — a wandering, large-scale ramp links the spaces. These forms are containers for the many different functions in the building. There are, for example, ‘pods’ for displaying art, as well as a huge ’sock’ containing two large galleries; a ‘ramp’ contains a major proportion of the displays; an events space ‘rock’; and a WC ‘pebble’. At the top of the building, suspended from the roof, a series of ‘lily-pads’ — dish-shaped floors with brightly colored interiors — house lettable workspaces.

Designer : Will Alsop via Dezeen