Bin: The bin is designed to put in residential buildings permanently to provide people a space for recycling old or broken electronic goods, batteries, etc. Also, users can sell high value old items via the website and send them through the bins. These high value items will be provided with packaging by the bin to ensure better protection during transit.

Cart: The Cart is a provisional mobile venue for bigger items that is recycled frequently as well as a place to reuse unwanted items for the inhabitants of a building. Users can ask for a cart through twitter and either can leave those unwanted items to be picked up by the company or announce to residents of other buildings that they would like to sell these items.

Truck: The truck accumulates the e-waste from the carts and bins and delivers the waste to official recycling and refurbishment center.

Website: People can get to know about the system, their services and can place request for a bin or cart for their residence through the website after agreeing on a price.

Twitter: The system will be notified that a bin is full by using Twitter. Moreover, users can request carts for larger and less often recycled items and can inform residents of other buildings about the items they are giving away through Twitter.

Designer : Smart Design

Because of the relatively shallow water levels of the Straits, the proposed structure can descend to the base of the ocean with just a few meters floating over the water level. Compression is the main working principal of this structure that features two parallel walls cut through the adjoining water bodies, held apart with bracing, which is habitable at times. Each wall is 10 meters wide and respectfully provides vehicle and train infrastructures at its apex. The trait is used only to give simplicity to this massive structure that features a direct line to connect the two sides.

The wide interstitial space spans 50 meters which was created by this vast separation and becomes an interface for human haulage, providing inhabitants and visitors the opportunity to navigate the Strait by walking. The visitors will enjoy constant views of underwater landscape walking across the tubes, submerged below 50 meters of water level. Moreover, the separation of the Pacific from the Arctic can improve temperature isolation, by gradually reducing the water temperature in the Arctic, which would be a great environmental benefit.

Designer : OFF Architecture via Bustler

The sleek and smooth design of this car with a visage can easily call out for anyone’s attention. It can house 4 people and natural materials have been utilized to design the interior. Both the drag coefficient and weight of the vehicle is optimized by redistributing and reducing the weight to maximize the energy efficiency and improve driving ability. Both the door and roof inserts become opaque as a final touch, which reduces the amount of glare coming to the vehicle.

Designer : BMW via Inhabitat

Text from Jonas Buck:
“All Area” combines for the first time the most commonly used products for male body shaving: Razor and Trimmer. The sideways mounted blade visualizes that this is not a regular facial hair shaver, but a new product type. At the same time it optimizes the usability by improving the visibility on the blade. By simply clicking the comb on the shaver, the blades are shielded and the shaver can be safely used for trimming longer body hair.To do so, the user can select between three lengths that were the most often selected ones by users during the research.

“All Area” addresses the needs of a growing target group by looking close at their habits. An improvement in functionality and a new product-type are the results.

Designer : Jonas Buck

Designer : ArchitectureAndVision via Inhabitat

From the website:
JS BACH / ZAHA HADID ARCHITECTS CHAMBER MUSIC HALL AT MANCHESTER ART GALLERY FOR MANCHESTER INTERNATIONAL FESTIVAL.Zaha Hadid Architects have created a unique chamber music hall specially designed to house solo performances of the exquisite music of Johann Sebastian Bach.

A voluminous ribbon swirls within the room, carving out a spatial and visual response to the intricate relationships of Bach’s harmonies. As the ribbon careens above the performer, cascades into the ground and wraps around the audience, the original room as a box is sculpted into fluid spaces swelling, merging, and slipping through one another.

“The design enhances the multiplicity of Bach’s work through a coherent integration of formal and structural logic. A single continuous ribbon of fabric swirls around itself, creating layered spaces to cocoon the performers and audience with in an intimate fluid space.” said Hadid.The process of realizing the design involved architectural considerations of scale, structure and acoustics to develop a dynamic formal dialogue inseparable from its intended purpose as an intimate chamber music hall.

A layering of spaces and functions is achieved through the ribbon wrapping around itself, alternately compressing to the size of a handrail then stretching to enclose the full height of the room. Circulatory and visual connections are continually discovered as one passes through the multiple layers of space delineated by the ribbon.

The ribbon itself consists of a translucent fabric membrane articulated by an internal steel structure suspended from the ceiling. The surface of the fabric shell undulates in a constant but changing rhythm as it is stretched over the internal structure.It varies between the highly tensioned skin on the exterior of the ribbon and the soft billowing effect of the same fabric on the interior of the ribbon. Clear acrylic acoustic panels are suspended above the stage to reflect and disperse the sound, while remaining visually imperceptible within the fabric membrane.

Programmed lighting and a series of dispersed musical recordings activate the spaces between the ribbon outside of performance times. The installation is designed to be transportable and re-installed in other similar venues.

Pivotal to its function is the performance of the ribbon. It has been designed to simultaneously enhance the acoustic experience of the concert while spatially defining a stage, an intimate enclosure, and passageways. It exists at a scale in which it is perceived as both an object floating in a room as well as a temporal architecture that invites one to enter, inhabit and explore.

Designer : Zaha Hadid Architects via Dezeen

These wind/solar powered street lamps are fitted to locally made, usual galvanized steel poles and can be easily swapped with previous street lamps. The turbines can be either a horizontal axis wind turbine or a 2nd generation 300W vertical axis wind turbine. Two solar panels are mounted on the side of the pole that is capable of producing up to 80W of power.

The lamps are able to produce the maximum power of 380W if the sun is shining and at the same time the wind are blowing as well. It will save the excess generated energy in a battery that will supply the required power to lighten the high efficient LEDs all through the night. Since not every location and project is not the same, the designers have focused on the components – the LED lights, wind turbine, solar panels, battery storage and tower height are all can be easily balanced to fit best in a particular project.

The hybrid LED lamps looks like a commissioned art piece instead of the traditional industrial looking street lamps and the decorations on the pole can be customized as per the buyer’s requirement. This project surely will help the streets becoming self sufficient with street lamps that can generate the power they require.

Designer : Urban Energy via Inhabitat

Designer : Jorge Hernandez de la Garza via Inhabitat

[Press Release]

DRAGONFLY, A METABOLIC FARM FOR URBAN AGRICULTURE

2009 : 800 MILLION OF URBAN FARMERS FOR RESPONSIBLE ECO-CITIES

The world of fast-food and frozen food is over! The urban keen interest of the beginning of our Century turns toward the garden flat bringing back the countryside in our overcrowded cities fighting from now on for a community urban agriculture able to contribute to the durability of the city and to rethink the food production.

On the roofs, terraces, balconies, in the hollow of the non-built public spaces, in the interior yards and the suspended greenhouses, the eco-warrior aspires to escape from its competitive and consumeristic universe imposed by the laws of the market. He desires to cultivate its immediate landscape so as to better take root in the ground by creating his own ecologic and alimentary biodiversity. The consumer becomes from then on producer and the garden inhabitant !

From the Parisian « worker gardens » to the « community gardens » of New York going though Muscovite « vegetable squares », eight hundred million of urban farmers, i.e. more than one human being out of ten, consume nowadays chlorophyllous products from these cosmopolitan kitchen gardens. These new gardens, aware of the emergency to reduce our fuel consumption and the necessity to modify our behaviour facing the climatic changes, decrease thus their environmental impact and build eco-responsible cities on a community way.

2025 : 5.5 BILLION OF CITY SLICKERS FACING THE FOOD CHALLENGE OF THE 21ST CENTURY

According to the PNUD (Programme of the United Nations for the Development), the worldwide urban population will go from 3.1 billion of inhabitants in 2009 up to 5.5 billion of inhabitants within 2025. Looking for a positive energetic assessment, the contemporary city aims within fifteen years at producing cleanly and intensively more energy than it consumes so as to pack this urban exodus! It develops therefore the urban agriculture to become food self-sufficient by recycling at the same time its liquid waste by phyto-purification, its solid waste in fertilizers by composting and by producing energy by biomass, photovoltaic cells and other renewable energies (thermic solar, photovoltaic solar, wind, tide-turbine energies…).

In order to avoid the asphixiation of the planet and the feeding of its 9 billion of inhabitants within 2050, it deals thus with reinventing the traditional energetic pattern between the city and the countryside between western countries, emerging countries and developing countries. This sums up as following: on the one hand import of natural and food resources, and on the other hand export of waste and pollution. The ecologic city aims at reintegrating the farming function on the urban scale by emphasizing the role of the urban agriculture in the use and the reuse of natural resources and biodegradable waste so as to close the loop of ecologic flows.

The urban agriculture can feed the city without any pesticide or chemical fungicide (whose toxicity is proved on the human being : cancer, sterility…), and make it less food dependant of its backcountry or other regions of the world. Organising the distribution of fresh products in short circuits, that means linked directly with the consumer, the urban agriculture complete thus the traditional agriculture. In addition to the nutritive quality of the produced and consumed food, the urban agriculture is also a growth lever of the urban unemployment market and the local economy. It is used directly as a social link in the conciliation of the primary needs of the newcomers with the challenge of their integration in the life of the city, fighting thus against poverty and exclusion. On the sanitary level, this farm approach presents also an interesting potential for the decontamination of polluted grounds and undergrounds as well as for he purification of the polluted atmosphere in CO2.

Due to the fuel crisis and climatical change, the rural agriculture of the western countries must answer to the worldwide food crisis of the developing countries and mainly Africa. Its role is from now on to produce (with an increase estimated of 60% within 2050) all the foodstuffs transportable by boat such as cereals or corn. This is based on the evolution of the science and the most advanced biotechnologies. In addition to this nutritious role, the rural agriculture is newly challenged to recycle its own culture rebus for the green chemistry in order to produce the bio fuel called “second generation fuel” using the energy of non-consumable materials from the plants, that means fibres such as celluloses.

DRAGONFLY, A NOURISHING VERTICALY CULTIVATED CENTRAL PARK

The architecture has to be in the service of this new agriculture and to design this new social desire in this context of ecologic mutation and food autonomy! The Dragonfly project suggests therefore building a prototype of urban farm offering around a mixed programme of housing, offices and laboratories in ecological engineering, farming spaces which are vertically laid out in several floors and partly cultivated by its own inhabitants. This vertical farm sets up all the sustainable applications in organic agriculture based on the intensive production varied according to the rhythm of the seasons. This nourishing agriculture is furthermore in favour of the reuse of biodegradable waste and the keeping of energy and renewable resources for a planning of ecosystemic densification.

Floor by floor, the tower superposes not only stock farming ensuring the production of meat, milk, poultry and eggs but also farming grounds, true biological reactors continuously regenerated with organic humus. It diversifies the cultivated varieties to avoid the washing of stratums of soft substratum. Thus, the cultures succeed one another vertically according to their agronomical ability to provide some elements of the ground between the essences that are sowed and harvested. The tower, true living organism, becomes thus metabolic and self-sufficient in water, energy, and bio-fertilizing. Nothing is lost; everything is recyclable to a continuous auto-feeding!

A BIONIC AND ENERGETICALLY SELF-SUFFICIENT ARCHITECTURE
The architecture of Dragonfly prototype suggests reinventing the vertical building (that outlined the urbanistic booming of New York City since the 19th Century) as structurally and functionally as ecologically and energetically.

To ensure the social diversity and a permanent life cycle (24h/24) in the tower, the mixed programmation is mainly laid out around two poles of housing and work places. Around housings, offices and research laboratories as well as the most private to the most public agricultural and leisure spaces are designed in gardens, kitchen gardens, orchards, meadows, rice fields, farms and suspended fields. The distribution of flows is made around a true safe spine spreading in loop the numerous elevators, the goods elevators and stair wells serving all the levels by separating simultaneously the inputs and the outputs recycled from plants, animals and human beings.

Architecturally, the functional organisation is represented by two oblong towers symetrically arranged in pair around a huge climatic greenhouse that links them and deploys itself between two crystalline wings. These very light wings in glass and steel retake the loads of the building and are directly inspired from the structure of the dragonfly wings coming from the family of “Odonata Anisoptera” whose transparent membrane is very finely nervured. Two inhabited rings buttress around these wings. Their organically chiselled exo-structure accommodates the inter-climatic spaces that receive the agrarian cultures. They buttress.

The whole set forms «double layer» architecture in bee nest mesh that exploits the solar passive energy at its maximum level, by accumulating the warm air in the winter in the thickness of the exo-structure, and by cooling the atmosphere by natural ventilation and by evapo-perpiration of the plants in the summer. Protecting thus the cultures from climatic changes in New York (from -25.5°C in the winter to +41°C in the summer), these plug spaces are useful to reflect on the agriculture not anymore in terms of surface area but really in terms of volume. Actually, whereas grounds nourish orchards, each wall and each ceiling are metamorphosed into three-dimensional kitchen gardens. The interior frontages of the housing and offices throw towards the skyline of New York the cantilever of their hydrophonic balconies with hexagonal section thanks to what it multiplies the culture layers by floors. The vegetation abounds, the earth is swarming of insects and animals are freely brought up in holding tanks by urban consumers with low income. The architecture becomes eatable!

Designer : Vincent Callebaut Architect

The Kyocera EOS can be used in its folded-up shape for simple phone calls, unfolds to reveal a wide screen, and we were excited to hear that the it derives its energy from human interaction. The more you use the phone, the more kinetic energy is turned into an electric charge through an array of tiny piezoelectric generators. In other words, you’ll never have to worry about leaving the house with a semi-charged cell phone again.

Designer : Susan McKinney via inhabitat

Photo by : Jeffrey Sass