Some explanation from Edwin :
The exterior desing of the car is inspired by the form of fabric blown in the wind. The form also carries traces of the historical Auto Union Type C Streamline race.

There are no conventional doors on the car, but instead, inspired by the jet fighters, there are three glass canopies. The main canopy opens forward together with the steering wheel and the dashboard; the two passengers’ canopies open backwards; and a side panel on the bodywork opens downwards to act as a step, making the event of getting in and out of the cockpit very special and easy.

The interior is simply one continuous sheet, starting from the dashboard, then being folded and bended to create floor carpet and seat.

The interior of the car is as simple and futuristic as the exterior. Single sheet transparent LCD dashboard displays all the essential data such as speed and mileage. The screen in the center of the steering wheel displays digital map. The information can also be projected on the canopy by a head up display. The
whole driving experience would be like flying a fighter jet. There is a small but handy luggage space behind the driver seat for handbags and suitcases. It is also an arm rest for the passengers.

Four wheels are housed inside the car’s four “legs”. Each wheel contains an Audi In-wheel Electric Drive Unit, making the car an evolution in Audi’s trademark “Quattro” all time four-wheel-drive system. The long range Supercharge-ion battery which powers the in-wheel motors are separated into two packs located in front of as well as behind the cockpit, creating a perfect 50:50 weight distribution of the car for excellent handling.

Specifications:
Length: 4480 mm
Width: 1900 mm
Height: 1060 mm
Wheel base; 3048 mm
Weight: 800 kg
En Engine: 4 Audi In-wheel Electric Drive Units
Power: 544 hp (4 X 100 kW)
Torque: 4500 Nm (3319.03 lb-ft)
0-100km: 2.9 s
Top Speed: 360 km/h

Designer : Edwin Conan

Designer : Pengtao Yu

Designer : Yun Li, Guopeng Liang, Ke Zhao & Xin Liu

The angular bodywork of this vehicle takes inspiration from both superbikes and modern architecture which results this unique vehicle, from both in aesthetic aspects and highly functional body panel mechanism. The body panels are independently attached onto the vehicle with hex-head bolts and can be replaced easily when damaged. The tires were designed to form a contrast by combining digital technology and dune buggy paddle tires, and both the alloys and tires are interlocked to create a strong image.

Raptor is based on an exposed carbon fiber chassis that provides closer sense of speed to the occupants, whilst providing comprehensive safety. The cantilever roof offers an unrivalled view from the front seat, giving a close panoramic view of the landscape. The vehicle is powered by Lithium-Titanate batteries that can be recharged through a standard wall socket or dedicated high powered outlets. It features unique “hot-swap” battery system that allows the user to replace the batteries easily and quickly.

Designer : Ryan Skelley

Designer : Raka Gemma

The designer has considered few constrains when designing the violin, such as, a half violin and half music player that would break down the notes of a tune and show how to play it. A ball using as a bow grip that will always give a perpendicular stoke to the user and a lighting fingerboard that will indicate a node for a particular whistle sound. Digital strings have replaced the ordinary strings that are able to considerably reduce the learning pain and the sting setup has been done in a way that can create surround sound experience. Marks are no longer in use when a violinist gets proficient; therefore, the fading marks are another noticeable feature of the design.

The name Squidolin was driven from the squid like shape with the functionally and aesthetically right proportions of the design development. The shape of the bow of Squidolin is newly designed and is smart enough to detect motions and communicate back accordingly.

Giving the idea into shape was the toughest part. The designer used the mirror modeling to get a great symmetrical shape and then moved into Solid-works to CAD for milling. The interface of Squidolin is an essential part of the design and can be represented in different ways. When learning, students might come across synesthetic relationship screen which represents the reaction of virtual objects to sound in real world situations. Organic timing or tempo can be learned from real-world experiences like water drops in steady water surface. Monkey-Do will teach the violinist the correct posture and Squidolin could be connected to the social networks via internet where violinist could perform or share his/her musical talent.

Designer : Carlos Mendez

This electronic device is combined with a speech synthesis and a digital camera with a shape of a traditional product. The speech synthesis is able to decode texts to voice streams and the screen can be used as a magnification in conditions when the speech synthesis is not working. One good example of such situations is when a visual handicapped person wants to illuminate for instance images or illustrations which can be portrayed in endless ways. This device comprises a bendable OLED display featuring non-photosensitive images, fast speech synthesis and a digital camera module. Not all of these devices are ready to use today, but many of them are already operational.

This project took ten long weeks to accomplish aiming to create a product that will enable various options to clarify information for those people who are visually handicapped. The intention was not to replace the physical companion. Rather, it is an attempt to strengthen the self confidence of the users by feeling more self-governing.

Designer : Erik Rydell

The human touch in communication is easily lost in today’s digital age. Hindrances to communication can include the interface of buttons, screens and keyboards. D:Scribe enables users to communicate with others in a way that comes most naturally, through handwriting.

D:Scribe uses a high quality writing nib befitting that of a precision writing instrument, as opposed to current digital ballpoint pens in the market. The nib can be rotated to suit the user’s handwriting grip style. The optical sensor beneath the nib is in a central position, as opposed to current digital ballpoint pens. As such the centred scanner is much more effective.

SMS and email messages are sent via bluetooth to a mobile phone or computer, without the user having to take out his/her mobile phone. In a social context, this is perceived to be a less anti-social activity than pressing buttons on a mobile phone to text someone.

Designer : Reuben Png

Nicolas explanations about the device:

One end has a measuring device for blood sugar (carrousel solution: 6 strips) and digital display for blood sugar measurements. Horizontally above this is a small “window”, which digitally displays the amount of injected units. At the other end is a needle for taking blood samples (carousel solution – 6 needles) and an insulin injection needle at the same side.

The pen has the same shape and appearance as any other usual insulin pen although somewhat broader at he “display” in order to make it easier to see the figures on the display.

Designer : Nicolas Nicolaou

Designer : ArmadaQuadrat and Manuel Irritier