The designer has considered few constrains when designing the violin, such as, a half violin and half music player that would break down the notes of a tune and show how to play it. A ball using as a bow grip that will always give a perpendicular stoke to the user and a lighting fingerboard that will indicate a node for a particular whistle sound. Digital strings have replaced the ordinary strings that are able to considerably reduce the learning pain and the sting setup has been done in a way that can create surround sound experience. Marks are no longer in use when a violinist gets proficient; therefore, the fading marks are another noticeable feature of the design.

The name Squidolin was driven from the squid like shape with the functionally and aesthetically right proportions of the design development. The shape of the bow of Squidolin is newly designed and is smart enough to detect motions and communicate back accordingly.

Giving the idea into shape was the toughest part. The designer used the mirror modeling to get a great symmetrical shape and then moved into Solid-works to CAD for milling. The interface of Squidolin is an essential part of the design and can be represented in different ways. When learning, students might come across synesthetic relationship screen which represents the reaction of virtual objects to sound in real world situations. Organic timing or tempo can be learned from real-world experiences like water drops in steady water surface. Monkey-Do will teach the violinist the correct posture and Squidolin could be connected to the social networks via internet where violinist could perform or share his/her musical talent.

Designer : Carlos Mendez

In order to improve audio interactions between the user and the phone, SÉNS combines touch sensors and regular mechanical keys to provide real-time audio feedbacks. What this means is that when a user touches a key, the phone tells him what key has been touched without actually registering it as an input. The user may hover across the keys to consecutively gain feedbacks on which key they are touching.

Once the user is sure his finger is on the correct key, he then can press the key just like on any other standard phones. Once a key is pressed, another ‘click’ sound is fed back to confirm the input. This system is essentially just an audio version of what people without sight problems always utilizes; visual indications. This provides more efficient interactions and reduces the chance of making wrong inputs compared to current products used by people with visual impairment as they only provide audio feedbacks after key inputs are registered.

One of the biggest issues with ‘talking’ phones is that the sound interaction can be heard by other people nearby. Using a headset wired or wireless (if Bluetooth is available) can solve the problem, however having a headset integrated to the main phone can offer a number of advantages.

Designer : Takumi Yoshida