Explanation from Petr:
The exhibit is an active relaxation and rehabilitation bath with special features that permit the changeability of water volume (0-410 L) and provides a pleasant form of relaxation due to its continual and smooth changes to the ergonomical shape of the structure. The bottom contour of the bath adjusts in order to conform to the required position and height of the user. The various geometrical changes to the shape enables the bath to be “shortened” for example, creating a backing for the legs in order to maximize on comfort.

For the purpose of saving on water consumption, one can simply change the depth of the bath so it becomes shallow or select a shape that is most suitable for the user. The changes to the shape of the bath floor can be modified & readjusted anytime. Another wonderful trait of the bath is that it is equally convenient for bathing children, because one can adjust a safe depth of bath, reducing risk of drowning as well as being equipped with soft finish of the base. In addition to creating minimal dimensions, the bath itself can be used as a baby changing table. Getting in and out of the bath tub is simple and effortless. There’s no need to climb over edges of the bath. This way, it is beneficial for people with physical disability or those completely immobile.

Uniquely, in this bath we can experience an unmissable feeling of soft, rippling of the bath floor during bathing or when having a massage. This is a new form of relaxation which we can daringly refer to as “kinetic therapy”. The type of technology used forms system of 10 pneumatic pistons (compressed air powering pistons) and includes inclinable segments covered with soft upholstery. This lining creates a pleasant feeling without causing pressure on the body even in the case when the bath is low filled or during the filling or draining of the bath tub. The movable segments are covered by special, highly elastic, hygienic and strong foil (used in the concept of BMW Gina. The geometric shape of the head rest can be partially changed and is also made from movable structures, covered in flexible foil. The type of material`s used are synthetic rock (e.g. ceramics, plastic shroud), glass, elastic foil.

Other systems used are classic hydro/air massaging jets capable of being rotated and powered by electric motor. The connection to mains water supply, water outlet, air and hydro massage jet is through flexible hosing. The bottom of the tub is sealed and the whole base can be raised or lowered over a flat surface of the inner side-panels of the bath. That is how water tightness is ensured.

Everything is controlled electronically with a remote control. As a result, it is possible to select filling/draining of the bath, change water temperature, adjust hydro/air massage settings (duration, intensity, cycle program) and change the shape of the bath floor whit comfortably resting in the bath tub. This is done with the help of sensor button on the display of a remote control. The geometry of the bath can be altered simply by means of accessing touch display screen on the remote control. Naturally, the program remembers previous settings and if the conditions allow, the bath immediately fulfills the command of the user. Simultaneously however, whilst making the change, the height of the water surface, its volume and temperature as well as the total water consumption is electronically monitored.

The filling of the bath is possible through water inlets positioned right beneath the head rest, whilst draining is carried out through the segment located in the middle of the bath tub. If we were to come back to the principle of shaping the bath floor, an alternative method exists, which replaces pneumatic pistons and electrically tilted segments with air pouch system (ballonet). In addition, the foil covering the surface of various segments can also be replaced with a variety of other materials available on the market, that have similar properties.

Designer : Petr Kubik

The Faucet comprises five arms with different functionality such as three of them are supplying water, liquid soap and toothpaste, and the last two acts as driers. The Rocstar top is made of transparent plastic with lighting underneath which acts as control sensors and allow users activating a particular arm by simply touching it. After being activated that arm will give a magnificent led light and smoothly turns to the user. Other activities such as changing the water temperature, screen savers and profile colors, driers, etc. can be done with the center top touch screen of the Rocstar.

The basin has been designed to protect the users from viruses and other diseases that the users might infected with usual basins. Moreover, the color of the basin can be changed with the led effects and can be programmed to change the color every time someone enters into the bathroom. More surprisingly, the color of the spot where the water drops on the basin can be changed as well. There are exterior buttons on the stainless steel area on the basin that can control the covering and sterilization procedure and selecting profiles.

The mirror includes a digital camera which can be controlled from the rocstar through wireless system to know different previous conditions of your skin color, pimples, medicines, etc. The mirror will capture your photo every time you go to the bathroom which can be reviewed later for comparison. Hany Mansour, the designer, welcomes youto give any critics and suggestions. You can contact Hany here: COMISSARDAYS@YAHOO.COM

Designer : Hany Mansour, you

Interview with Nico :

What was the inspiration for your concept?
The inspiration was the experimental approach to molecular cooking. Even after several decades of molecular cuisine, it still seems to be an exclusive game for specialists. So it became my main goal to bring some of the fantastic possibilities and ideas of molecular cooking to all ambitious cooks with an easy to use, affordable appliance.

How does your concept fit into this year’s competition theme “Designs for the next 90 years”?
I think the idea of molecular cooking is forward-looking, but the procedures and methods of preparing molecular dishes are still conventional. I would like to change this with my concept. At first, the idea of printing food seems to be something straight out of a science-fiction movie, but on second thought it is not unrealistic at all. I even think that Moléculaire could be the future kitchen tool that opens up possibilities for food-makers interested in molecular cooking.

What are the main consumer benefits of your concept?
Moléculaire is a futuristic kitchen appliance that offers several new possibilities to professional chefs as well as home users. It’s based on a layer-by-layer printing technique that arranges small particles from a set of ingredients. Within minutes, it prints out three-dimensional desserts, complex structures, shapes for molecular dishes, and patterns for decorating a meal. In addition, it’s easy to use. You simply insert a blister pack into the reservoir, place Moléculaire on top of a plate, and press the start button. Users can also create their own recipes with special software and their own ingredients. Ambitious users can download recipes and share them with other users in an online community.

Describe the consumer research behind your concept.
I conducted interviews with chefs and did a lot of research on the Internet. These approaches helped me to understand users’ interests, concerns, wishes, needs and desires. The outcome shaped my initial ideas and helped them grow. The most difficult thing about designing for the future is predicting the possible social and technological developments (their direction and speed). Therefore, it was very useful to read reports like sociological studies about cooking and future scenarios about the development of new technologies.

What kind of materials would you use to build your concept?
For my concept, I would use polycarbonate as the main material. I plan on applying this material in three different variations, each providing the right characteristics for the different parts of my design. Transparent polycarbonate can be used for the window, black tinted for the lid/display, and white for the body. The robotic printer arm and head could be made from aluminum. A blue (O)LED backlight accentuates the processes inside the printer.

Who is your favorite designer?
I don‘t have a favorite designer.

What are your career goals?
After I graduate in 2010, I want to gain more professional experience in a product-design company. In the long term, I want to further develop my conceptual and strategic skills and step into product-related design management.

Designer : Nico Kläber

Designer : Andrej Suchov

Designer : Jinsun Park and Seonkeun Park

Designer : Hay Heun

Designer : Nikita Buyanov

The body functions as a measure when it is taken out from the weight panel. It can tare, show the time and make gram/cal exchange. It provides smaller space for storage that weight panel and the body are pulled through each other. It facilitates weight process and interface usage that control panel and weight panel are placed apart. The aim is to provide maximum usage facility in minimum space. By means of sensory mil weight, it measures the moment of the approaching surface and exchanges it for unit of measurement. Interface consists of three buttons and at the same time these buttons are used to set the hour data. When the part on the lower panel is to be folded, it is positioned on the coaxial gap on the acrylic part. The orange-colored circle is a visual complement that ensures us placing the things to be weighted on the very middle point.

Designer : Emir Rifat ISIK

Text from the website:
Bajca is the new “Smile Keypad” for people who cannot do without “emoticon”. With a simple USB connection Bajca connects to the computer, adding 16 emotional keys that represents a different “smile” each one: finally each emoticon is found in one key, apart from before where a combination of keys had to be used in order to create the same emotion. New collections of Bajca will permit a large amount of expressions on the web. The keys can also be used to create personal jewelry to wear and show: everyone representing our emotions of everyday life! Designed by ADRIANO DESIGN for PROGIND, Bajca’s idea arise from connecting deeply the virtual with the real life. Bajca is the instrument that “make real” the emotion- a digital translation of every sensation- telling the story of everyday life; spoken, touched and wear every day.

Bajca is a new keyboard with sixteen keys to communicate the same number of different emotion/ actions. The keys can be replaced with others having different graphics and meaning. The keys can also be used to make emotional “jewels” to be worn, given away and exchanged. What may seem an ironic and playful game for teenagers is actually much more. It is the tool, the “pen”, for contemporary communication; a universal and empathetic communication based on small plastic “buttons”.

Designer : Adriano Design [ProductPage]

Text from Daniel :
The overall aesthetics were inspired by a hand grenade, with the trigger being like that of the pin for a grenade. When the holder pulls on the trigger at the bottom of the light, the light beam turns on. However, there is also a power button at the top in case the individual would like to hold on the light but not have the beam on. The light is extremely small, light an ergonomic, something that could fit on the belt of a police officer, marine or regular user, and is easy to pick up and shine the light very quickly while remaining comfortable and firm the individuals palm.

The buttons on the side are to change the color of the light, with the idea being that different groups of people would have different colors of light to reveal who they are, e.g. police have blue lights, firefighters have red etc…also yellow light creates a better visual field of depth, so that would be the color used for people using it for the army or special forces. The light can also reflect back at the holder, to make it easier to see the person holding the light. If for instance, in an emergency situation, you can see who is holding the light, whether it be a child, or fully grown adult.

Designer : Daniel Bailey