Populous says :
Incheon Metropolitan City is a world class city, and this will be an innovative design, benchmarked against world’s best practice.

The multipurpose stadium builds on the design developed by Populous for the main stadium for the 2012 Olympic Games in London and illustrates a new level of sustainable design in public infrastructure built for major events such as an Olympics or an Asian games.

The key to the stadium’s success will be reducing it down and linking it into the surrounding parklands, to make it an open accessible building, for its people. This way it can achieve a connection with the community that is vital to securing its long term sustainability and a true legacy for the people of Incheon.

Designer : Populous and Heerim Architects and Planners

From the website:
JS BACH / ZAHA HADID ARCHITECTS CHAMBER MUSIC HALL AT MANCHESTER ART GALLERY FOR MANCHESTER INTERNATIONAL FESTIVAL.Zaha Hadid Architects have created a unique chamber music hall specially designed to house solo performances of the exquisite music of Johann Sebastian Bach.

A voluminous ribbon swirls within the room, carving out a spatial and visual response to the intricate relationships of Bach’s harmonies. As the ribbon careens above the performer, cascades into the ground and wraps around the audience, the original room as a box is sculpted into fluid spaces swelling, merging, and slipping through one another.

“The design enhances the multiplicity of Bach’s work through a coherent integration of formal and structural logic. A single continuous ribbon of fabric swirls around itself, creating layered spaces to cocoon the performers and audience with in an intimate fluid space.” said Hadid.The process of realizing the design involved architectural considerations of scale, structure and acoustics to develop a dynamic formal dialogue inseparable from its intended purpose as an intimate chamber music hall.

A layering of spaces and functions is achieved through the ribbon wrapping around itself, alternately compressing to the size of a handrail then stretching to enclose the full height of the room. Circulatory and visual connections are continually discovered as one passes through the multiple layers of space delineated by the ribbon.

The ribbon itself consists of a translucent fabric membrane articulated by an internal steel structure suspended from the ceiling. The surface of the fabric shell undulates in a constant but changing rhythm as it is stretched over the internal structure.It varies between the highly tensioned skin on the exterior of the ribbon and the soft billowing effect of the same fabric on the interior of the ribbon. Clear acrylic acoustic panels are suspended above the stage to reflect and disperse the sound, while remaining visually imperceptible within the fabric membrane.

Programmed lighting and a series of dispersed musical recordings activate the spaces between the ribbon outside of performance times. The installation is designed to be transportable and re-installed in other similar venues.

Pivotal to its function is the performance of the ribbon. It has been designed to simultaneously enhance the acoustic experience of the concert while spatially defining a stage, an intimate enclosure, and passageways. It exists at a scale in which it is perceived as both an object floating in a room as well as a temporal architecture that invites one to enter, inhabit and explore.

Designer : Zaha Hadid Architects via Dezeen

From this indication, the designers took the prospect to generate a solution that references the local atmosphere and also provides a more prototypical design towards energy savings which can be adapted to other regular building types further than housing. The design proposes eight towers with distinct and separate programs. These are an entry tower, a food tower, a living tower, a gym tower, 2 bathroom towers and 2 bedroom towers. The segregations and strategic connections have been created through the deformation of each tower’s geometry. Such organization of the program permits greater effectiveness, since only one-third of these towers are required and occupied the energy consumption at any given time frame during a diurnal cycle. This system also intensifies the experiential differences between rooms and creates a high porosity level between exterior and interior spaces.

Designer : Single Speed Design

The new deck position allows direct access to the kitchen and dining room and offers additional activities combining with the salon/ living room. The pool deck can be traversed in three ways. First one is a direct outside walkway or bridge which divides the pool with an underwater opening that allows the swimmers to plummet from one side to another. Second method is a flyover which connects to the central stairs and elevator. A lower level lounge is the third option which includes glass portals into the pool. There is a helipad on the bow deck and the yacht can house 12 guests and crew.

[Press Release]

Infinitas is the second design launch of Schöpfer Yachts. Our new 300 foot (91.5 meter) yacht was designed by E. Kevin
Schopfer with Sparkman Stephens, Naval Architects. The design’s main inspiration comes from the symbol for infinity which has been abstractly expressed within the yacht’s elevation. The two major features of the yacht asserted by this closed loop infinity symbol are achieved by carving out stern and mid section elliptical deck constructs.

A central structural “spine” holds the loop together allowing the yacht’s superstructure to seamlessly flow within itself. The added benefit of “infinity” is the realignment of traditional functional areas. Within this realignment, the main deck living room, and dining room are detached. The dining room moves forward and is separated from the living room by a massive pool deck. This new deck location allows for the first time, direct access to dining room and kitchen for expanded activities, in combination with the living room/salon.

There are three methods to traverse the pool deck. First is a direct outside bridge / walkway which bisects the pool itself. This walkway has underwater openings in its support system, allowing swimmers to dive from one side to another. The pool has the option of being covered for larger venue needs.

The second method of crossing the pool deck is an overhead sky bridge which connects to the main stairs and elevator. The “sky” bridge is clear glass floor and ceiling allowing natural light to penetrate the pool below.

The third method is through a lower level lounge which features glass portals into the pool.

The main level contains the two aforementioned decks, living room, dining room, kitchen, storage, and bow deck (with helicopter pad). The interior design of the space, and others, reflects an intense minimalist palette with a dash of attitude. The main salon also features generous 12 foot ceiling height and fully glazed walls creating an island within the yacht.

The second level up is reserved for a series of guest suites and secondary bow deck. The owner’s suite occupies the third level with “sky bridge,” pilot house, and upper deck. All decks below are currently designated crew quarters, storage and
mechanical, engine room activities. Infinitas is designed to accommodate 12 guests and crew.

Thank you to Tangram 3DS for all rendering images.

Designer : Schopferyachts

Teakwondo Park would be a great place for visitors to discover the artistry of Teakwondo, Korea. This place will offer various embodiment training sessions such as Body ‘One’ to prepare body, Mind ‘One’ to inspire the mind and Spirit ‘One’ for complete the spirit. The main goals that this design has emphasized most is to develop a world cultural heritage spot and create a place that promotes the research, education and practice of groundwork for visitors all over the world. Moreover, this concept would be a center to promote Teakwondo and Korean art and culture through an international network. This mega-construction will also provide the opportunity to promote sustainable and socio-cultural synergy between the local markets.

Designer : Samoo Architects via Bustler

[Press Release]

MIT unveils EyeStop: an iPhone‐like interactive bus stop for the City of Florence

May 14, 2009. MIT architects and engineers have unveiled EyeStop, an interactive bus stop designed for the city of Florence. On Saturday 16 May the project will be presented officially at the Genio Fiorentino by the President of the Province of Florence Matteo Renzi (dubbed ‘The Italian Obama’ by TIME Magazine).

EyeStop, developed by MIT’s SENSEable City Lab, is an exploration into the next generation of smart urban furniture; it aims to enrich the city with state of the art sensing technologies, interactive services, community information and entertainment. The project is partially covered with touch sensitive e‐INK and screens, so that it can deliver information to people seamlessly. Users can plan a bus trip on an interactive map, exchange community‐relevant information on a digital message board, surf the web, monitor their real time exposure to pollutants and use their mobile devices as an interface with the bus shelter. “Interacting with EyeStop could change the access to urban information in a similar way to how the iPhone has changed our mobile life” commented Carlo Ratti, Head of the SENSEable City Lab at MIT.

At the touch of a finger users can indicate their desired destination; the system will then display the shortest bus route from where they are and the position of all relevant buses real‐time. The EyeStop will glow at different levels of intensity to signal the distance of an approaching bus. Riders and passers‐by can also post ads and community announcements to an electronic bulletin board placed on the bus stop, enhancing its functionality as a public space ‐ a place to gather and exchange community relevant information.

In addition to displaying information, the bus stop also acts as an active environmental sensing node, powering itself through sunlight and collecting real time information about air quality and the urban environment. “EyeStop is an experiment into urban computing: it may be considered an “info‐tape” that snakes through the city, rising up like a pole or cropping out of the sidewalk like a shelter. It senses information about the environment and distributes it in a form accessible to all citizens” – commented project leader Giovanni de Niederhousern.

A generative parametric model produces a unique design for each bus stop, providing both optimal sheltering for users and maximum sunlight exposure for direct photovoltaic powering. Unlike the typical mass‐produced bus stop, EyeStop is designed to fit the physical characteristics of its surroundings, with each unit being slightly different from the others. Furthermore, simple materials like shiny steel, extra clear glass and gray local stone (pietra serena), together with its minimalist design, serve to optimize how it blends into the historic urban fabric of Florence.

“Since the Renaissance, there has been an interplay between the physical form of the city (urb) and its citizenship (civitas),” added Carlo Ratti. “Today’s technologies are adding new possibilities to that age‐long relationship, thanks to the addition of digital information to physical space. It is as if a new materiality were emerging in architecture, with the seamless blending of bits and atoms…”

EyeStop was developed at the SENSEable City Laboratory by Giovanni de Niederhousern, Shaocong Zhou, Assaf Biderman and Carlo Ratti, in collaboration with the Province of Florence and the local public transportation authority ATAF.

Designer : Giovanni de Niederhousern, Shaocong Zhou, Assaf Biderman and Carlo Ratti via Core77

Designer : Zaha Hadid and UNStudio

This innovative concept of Ian Simpson Architects will become a groundbreaking “green” exemplar, a favorite conference and visitor’s destination and an inspiring resource of mathematics education. The Fibonacci spirals will allow placing seeds on the seed head, leaves on a stem and petals on a flower as well as will help people to understand the relationships between nature and mathematics. The structure of entering the flower head will be an encouraging experience over the countries by showing how architects, artists and engineers have used the numerical sequences and simple angles found in wildflowers. This design is now being considered as an excellent addition to the National Wildflower Center.

Designer : Ian Simpson Architects, Adams Kara Taylor Engineers, and Hoare Lea Engineers via [Bustler]

Designer : David Choi, Hector Silva, Jim Ruck and Jeremey Watson

Designer : Beckmann-N’Thépé Architects via [Bustler]