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Metromorph Futuristic Concept Car with Balcony Mode Option

TheFuture — Tue, 07 Jul 2009 12:49:37 +0000

To address the ever-growing metropolitan city problems associated with real estate and parking place, many innovative ideas are constantly coming up from various designers and Metromorph is one of the most functional concept cars in this regard. It has been designed with the ability to ride up just like an elevator and turn into a balcony, eliminating the harassment of parking and paying for additional space in the apartment. This vehicle is powered with two in-wheel motors placed in the back of the car along with two battery cases.

Rotating arms have been used in order to keep the seats level for both vertical and horizontal drive. When the vehicle is in balcony mode, the seats are positioned on a rolling base which allows them to become lounge chair for lying down and relax. The exterior design of this car never seems like a car that is mounted vertically with a building but still it looks like a vehicle on the road. The wheels are hidden towards inside and doors are designed to rotate closely around the car, instead of the usual pulling out or sliding up doors, allowing the entrance to freely open in narrow area like a garage.

Designer : Roman Mistiuk

Autonomous Living Unit : Futuristic Chair by Eduardo McIntosh

TheFuture — Wed, 17 Jun 2009 03:27:02 +0000

Autonomous Living Unit has been demonstrated last April for the first time in the Future Cities exhibition occurred in New York City which is a concept chair with a unique look that integrates all the functions that a home may have into a single chair. This concept is outlined by imagining the furniture that could be fitted in derelict buildings to provide the fundamental needs of human being. This project symbolizes the current housing crisis due to the tendency of people to live on their own and the tradition of transforming architecture into consumer products. In fact, this concept product shows the visually alluring yet most minimal objects that still can provide the basic needs of human being.

From Eduardo:
Autonomous Living Units is a somewhat satirical project that stands at the intersection of the current housing crisis, the tendency of people in developed countries to live on their own and the trend of turning architecture into a consumer product. The project poses a scenario in which living units (homes) have evolved into the most minimal yet visually alluring objects that can still provide for the basic needs of the 21st century human being.

Because of the morphing of architecture into furniture, the Living Units could be inserted in derelict areas and ruined housing projects. This project was exhibited among others at the d3 Gallery in New York for the “Future Cities: Past, Present” exhibition in April 2009.

Designer : Eduardo McIntosh via [Dezeen]

Futuristic Medical Center Concept for Rehabilitation of Trauma Surgery Patients

TheFuture — Tue, 19 Aug 2008 06:09:55 +0000

Medical center concept designed by Sarah Schneider is a whole new concept of outer space home base right in the middle of Alps where people love to have Jacuzzi and fly ion jet wings. It is an unbelievable concept for a medical center for rehabilitation of trauma surgery patients. This unrealistic concept is no less than an Alien Space Ship. But no one can imagine how much investment and labor this concept would require for construction. Designed to accommodate 50 patients, it features balconies overlooking the mountains and raised walkways running through the surrounding forests. Looks pretty awesome for a medical center in the future.

From Sarah Schneider:
Asemic Scapes – Rehabilitation Center Rainberg

This project is a conceptual design for a rehabilitation center for trauma and post surgery patients with a capacity of 50 beds in the Austrian Alps, in Vorarlberg. In general rehab centers like their predecessors the sanatoriums of the 19th and 20th century are based on a dualistic set of values: they embody the belief in the healing power of technology and the healing power of nature, which is why they are mostly situated in prestine landscapes.

Therefore my attempt was to develop a contemporary relationship to the landscape based on calligraphic ornamentation. Calligraphy is adding an idea of creating variation through artistic expression to a technical matter of communication and is connected to ornamentation which generally uses natural motifs and often rules of natural growth.

The project develops an architecture that uses rules of natural growth and connects both growth and ornament, with a landscape environment, topologically and calligraphically. The ornament creates a symbiotic relationship with the existing environment by framing existing topographic features and at the same time giving a feedback to the landscape by creating topographical irregularities.

In the landscape the ornament starts to organize the ground by subtle terracing and it creates paths that break the clear definition of an indoor ñ outdoor boundary by running through the building, widening up to create bigger platforms and shrinking back to paths when leaving the building again. This ornamented landscape topography develops the roof structure transforming from a plan calligraphy into a complex volumetric condition of overlay and envelope.

Designer : Sarah Schneider via Dezeen